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Nov 20, 2025┬╖Zenodo (CERN European Organization for Nuclear Research)
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рдЧрдб рдЪрддрд░рдХрд▓ :рднрд░рддрдЪ рд░рд╖рдЯрд░рдп рдУрд│рдЦ

рдбреЙ. рдирд┐рддреАрдирдХреБрдорд╛рд░ рдЬрд╛рдирдмрд╛рдЬреА рд░рд╛рдордЯреЗрдХреЗ

тАШрдЧреЛрдВрдб рдЪрд┐рддреНрд░рдХрд▓рд╛тАЩ рд╣реА рднрд╛рд░рддрд╛рдЪреНрдпрд╛ рдЖрджрд┐рд╡рд╛рд╕реА рд╕рд╛рдВрд╕реНрдХреГрддрд┐рдХ рд╡рд╛рд░рд╢рд╛рддреАрд▓ рдПрдХ рдорд╣рддреНрддреНрд╡рдкреВрд░реНрдг рдЖрдгрд┐ рд╡реИрд╢рд┐рд╖реНрдЯреНрдпрдкреВрд░реНрдг рдХрд▓рд╛ рдЖрд╣реЗ. рдордзреНрдп рднрд╛рд░рддрд╛рддреАрд▓ рдЧреЛрдВрдб рд╕рдорд╛рдЬрд╛рд╢реА рдирд┐рдЧрдбрд┐рдд рдЕрд╕рд▓реЗрд▓реА рд╣реА рдЪрд┐рддреНрд░рд╢реИрд▓реА рдирд┐рд╕рд░реНрдЧрд╛рд╢реА рдЕрд╕рд▓реЗрд▓реНрдпрд╛ рддреНрдпрд╛рдВрдЪреНрдпрд╛ рдирд╛рддреНрдпрд╛рдЪрдВ, рд╢реНрд░рджреНрдзреЗрдЪрдВ рдЖрдгрд┐ рдЬреАрд╡рдирджреГрд╖реНрдЯреАрдЪрдВ рджреГрд╢реНрдп рд░реВрдк рдорд╛рдирд▓реА рдЬрд╛рддреЗ. рдпрд╛ рдХрд▓реЗрддреАрд▓ рдард┐рдкрдХреНрдпрд╛рдВрдЪреА рд░рдЪрдирд╛, рд▓рдпрдмрджреНрдз рд░реЗрд╖рд╛ рдЖрдгрд┐ рдирд┐рд╕рд░реНрдЧрд╛рд╢реА рдЬреЛрдбрд▓реЗрд▓реЗ рд╡рд┐рд╖рдп рд╣реЗ рддрд┐рдЪреЗ рдореБрдЦреНрдп рд╡реИрд╢рд┐рд╖реНрдЯреНрдп рдЖрд╣реЗ. рдкреВрд░реНрд╡реА рдШрд░рд╛рдВрдЪреНрдпрд╛ рднрд┐рдВрддреАрдВрд╡рд░ рд╕рд╛рдЬрд▒реНрдпрд╛ рд╣реЛрдгрд╛рд▒реНрдпрд╛ рдпрд╛ рдЪрд┐рддреНрд░рдХрд▓реЗрдЪрд╛ рдЖрдзреБрдирд┐рдХ рдХреЕрдирд╡реНрд╣рд╛рд╕, рдХрд╛рдкрдб, рдХрд╛рдЧрдж рдЖрдгрд┐ рдбрд┐рдЬрд┐рдЯрд▓ рдорд╛рдзреНрдпрдорд╛рдВрдкрд░реНрдпрдВрддрдЪрд╛ рдкреНрд░рд╡рд╛рд╕ рдЕрддреНрдпрдВрдд рд╡реИрд╢рд┐рд╖реНрдЯреНрдпрдкреВрд░реНрдг рдЖрд╣реЗ. рдЬрдирдЧрдв рд╕рд┐рдВрд╣ рд╢реНрдпрд╛рдо рдпрд╛рдВрдЪреНрдпрд╛ рдХрд╛рд░реНрдпрд╛рдореБрд│реЗ рдЧреЛрдВрдб рдЪрд┐рддреНрд░рдХрд▓реЗрд▓рд╛ рдирд╡реАрди рджрд┐рд╢рд╛ рдорд┐рд│рд╛рд▓реА, рддрд░ рддреНрдпрд╛рдВрдЪреНрдпрд╛ рдкрд╛рдареЛрдкрд╛рда рд╢рд░реНрдорди рд╢реНрдпрд╛рдо, рджреБрд░реНрдЧрд╛рдмрд╛рдИ рд╡реНрдпрд╛рдо, рднрдЬреНрдЬреВ рд╢реНрдпрд╛рдо рдпрд╛рдВрд╕рд╛рд░рдЦреНрдпрд╛ рд╕рдордХрд╛рд▓реАрди рдХрд▓рд╛рдХрд╛рд░рд╛рдВрдиреА рдпрд╛ рдкрд░рдВрдкрд░реЗрд▓рд╛ рдирд╡реНрдпрд╛ рд╕рд╛рдорд╛рдЬрд┐рдХ рдЖрдгрд┐ рдЬрд╛рдЧрддрд┐рдХ рд╕рдВрджрд░реНрднрд╛рдВрддреВрди рд╕рдореГрджреНрдз рдХреЗрд▓рдВ. рдЧреЛрдВрдб рдЪрд┐рддреНрд░рдХрд▓реЗрд▓рд╛ рдПрдкреНрд░рд┐рд▓ реирежреирей рдордзреНрдпреЗ GI рдЯреЕрдЧ рдкреНрд░рд╛рдкреНрдд рдЭрд╛рд▓рд╛, рдЬреНрдпрд╛рдореБрд│реЗ рдпрд╛ рдкрд╛рд░рдВрдкрд░рд┐рдХ рдХрд▓реЗрд▓рд╛ рдЕрдзрд┐рдХ рдорд╛рдиреНрдпрддрд╛, рд╕рдВрд░рдХреНрд╖рдг рдЖрдгрд┐ рдЬрд╛рдЧрддрд┐рдХ рдмрд╛рдЬрд╛рд░рдкреЗрдареЗрдд рд╕реНрдерд╛рди рдорд┐рд│рд╛рд▓рдВ. NFT (Non-Fungible Token), рдбрд┐рдЬрд┐рдЯрд▓ рдЧреЕрд▓рд░реА, рдСрдирд▓рд╛рдИрди рдПрдХреНрдЭрд┐рдмрд┐рд╢рдиреНрд╕ рдЖрдгрд┐ рдЧреНрд░рд╛рдлрд┐рдХ рдкреБрд╕реНрддрдХрд╛рдВрдордзреВрди рд╣реА рдЪрд┐рддреНрд░рд╢реИрд▓реА рдирд╡реНрдпрд╛ рдкрд┐рдвреАрд╢реА рд╕рдВрд╡рд╛рдж рд╕рд╛рдзрдд рдЖрд╣реЗ. рдПрдХреВрдгрдЪ, рдЧреЛрдВрдб рдЪрд┐рддреНрд░рдХрд▓рд╛ рд╣реА рдХреЗрд╡рд│ рдПрдХ рдкрд╛рд░рдВрдкрд░рд┐рдХ рдЪрд┐рддреНрд░рд╢реИрд▓реА рдирд╕реВрди, рдЧреЛрдВрдб рд╕рдорд╛рдЬрд╛рдЪреНрдпрд╛ рд╕рд╛рдВрд╕реНрдХреГрддрд┐рдХ рдЕрд╕реНрдорд┐рддреЗрдЪрдВ рдЖрдгрд┐ рдирд┐рд╕рд░реНрдЧрд╛рднрд┐рдореБрдЦ рдЬреАрд╡рдирджреГрд╖реНрдЯреАрдЪрдВ рдкреНрд░рднрд╛рд╡реА рдорд╛рдзреНрдпрдо рдЖрд╣реЗ, рдЬреА рдХрд╛рд│рд╛рдиреБрд░реВрдк рдирд╡реНрдпрд╛ рд░реВрдкрд╛рдВрддрд░рдгрд╛рддреВрди рдЕрдзрд┐рдХ рд╡реНрдпрд╛рдкрдХ рдЖрдгрд┐ рд╕рдЬреАрд╡ рд╣реЛрдд рдЖрд╣реЗ.

Open access
2 source records
Architecture and Cultural Influences
History and Cultural Heritage
Diverse Cultural and Social Studies
Original source
Aug 8, 2022┬╖International Journal of Advanced Research
0 cites
NON FUNGIBLE TOKEN AND ITS APPLICATIONS IN THE DOMAIN OF FASHION, DESIGN AND ART

Aaira Banda

This research article examines Non Fungible Tokens and its application in the domain of art, fashion and design. It also covers the background and origin of NFTs, how they came into existence and their relevance in todays time along with a critical analysis on whether non fungible tokens are the future of art or not. It portrays the advantages, disadvantages of NFTs. <strong>Methodology: </strong>The methodology used for this article is secondary data collection based on literature survey and review and the research conducted is analytical. <strong>Objective: </strong>The objective behind this research article is how it works and what it means for the creative industry. I am also keen to know how it is a new way of digitising art and design.

Open access
2 source records
Digital Media and Visual Art
Architecture and Cultural Influences
Architecture and Computational Design
Original source
Nov 1, 2016┬╖American Journal of Applied Sciences
156 cites
Biomechanically Inspired Shape Memory Effect Machines Driven by Muscle like Acting NiTi Alloys

Raffaella Aversa, Francesco Tamburrino, Relly Victoria Petrescu, Florian Ion Tiberiu Petrescu ┬╖ 7 authors

The research shows a bioinspired approach to be adopted to design of systems based on Shape Memory Alloys (SMAs), a class of Smart Materials that has in common with muscles the capability to react to an impulse (thermal for SMAs) with a contraction. The biomechanically inspired machine that is discussed in the paper refers to the antagonistic muscles pairs, which belongs to the Skeletal Muscles and are normally arranged in opposition so that as one group of muscles contract another group relaxes or lengthens. The study proposes a model, a solution not only to design a specific application, but also to provide an approach to be used for a wide range of adaptive applications (switchable windows, smart shadow systems, parking and urban shelters, etc.), where the shape changes in response to different external stimuli. The use of antagonist pairs mechanism provides a solution for better optimized systems based on SMAs where the main and proven advantages are: Easier and faster change of shape, lower need of energy for system operation, lower cost for SMA training and no problem of overheating.

Open access
Shape Memory Alloy Transformations
Architecture and Cultural Influences
Original source
Nov 2, 2015┬╖IRIS Research product catalog (Sapienza University of Rome)
1 cites
A Review On Development Of Historical City Center And Revitalization Process In Isfahan/Iran

Reihaneh Rafiemanzelat, Maryam Imani Emadi

The need to protect our cultural heritage was stressed on revitalization of historical city centers in communities. The main aim of this research is to attract finance and activities to the historical city centers through the citizens and municipalities participation while cities expanded their boundaries toward suburban areas. Today the main problems which facing to the most historical city centers, is loss of their centrality through effect of urbanization on any point of the cities which is the most important issue on neglect and abandonment of the historical central area by decentralizing living, commerce and public areas. This article evaluate the ways in which city center revitalization can be effect on vitality and viability of the central area in case of Naghshe Jahan square which situated at the center of Isfahan city, Iran. Constructed between 1598 and 1629, it is now an important historical site, and one of UNESCO's World Heritage Sites.

Open access
Cultural Heritage Management and Preservation
Architecture and Cultural Influences
Original source