Blockchain Papers

Rohit Gandikota, Nik Bear Brown

Art is an artistic method of using digital technologies as a part of the generative or creative process. With the advent of digital currency and NFTs (Non-Fungible Token), the demand for digital art is growing aggressively. In this manuscript, we advocate the concept of using deep generative networks with adversarial training for a stable and variant art generation. The work mainly focuses on using the Deep Convolutional Generative Adversarial Network (DC-GAN) and explores the techniques to address the common pitfalls in GAN training. We compare various architectures and designs of DC-GANs to arrive at a recommendable design choice for a stable and realistic generation. The main focus of the work is to generate realistic images that do not exist in reality but are synthesised from random noise by the proposed model. We provide visual results of generated animal face images (some pieces of evidence showing a blend of species) along with recommendations for training, architecture and design choices. We also show how training image preprocessing plays a massive role in GAN training.

Xize Chen, Xiaoyu Qu, Yufeng Qian, Yiyao Zhang

The purposes are to recognize and classify different music characteristics and strengthen the copyright protection system for original digital music in the big data era. Deep learning (DL) and blockchain technology are applied and researched herein. Based on CNN (Convolutional Neural Network), a music recognition method combined with hashing learning is proposed. The error generated when outputting the binary hash code is considered, and the semantic similarity of the hash code is ensured. Besides, the application of blockchain technology in the current intellectual property protection in original music is discussed. According to digital music property rights protection needs, the system is divided into modules, and its functions are designed. The system ensures its various functions by applying the application protocol designed in the Algor and network. In the experiments, the MagnaTagATune dataset is selected to verify the performance of the proposed CRNNH (Convolutional Recurrent Neural Network Hashing) algorithm. The algorithm shows the best music recognition performance under different bit numbers. When the number of connections is about 100, the QPS value of the blockchain-based music property rights protection system can be stabilized at about 20,000. At any number of threads, the system pressure will increase dramatically with the increase in the number of analog connections. The music recognition algorithm based on DL and hash method discussed is of great significance in improving the classification accuracy of music recognition. The application of blockchain technology in the copyright protection platform of original music works can protect the copyright of digital music and ensure the operation performance of the system.

Frederik Temmermans, Deepayan Bhowmik, Fernando Pereira, Touradj Ebrahimi

Advances in deep neural networks (DNN) and distributed ledger technology (DLT) have shown major influence on media security, authenticity and privacy. Current deepfake techniques can produce near realistic media content which can be used in both good and bad intended use cases. At the same time, DLTs are finding their way in the industry as fair, transparent and reliable means for content distribution. In particular non-fungible tokens (NFTs) are emerging in the digital art market. However, such new developments also introduce new challenges, including the need for robust and reliable metadata, a mechanism to secure the media and associated metadata, means to verify authenticity and interoperability between various stakeholders. This paper identifies emerging challenges in fake media and NFT, and proposes a novel framework to effectively cope with secure media applications allowing for a structured, systematic, and interoperable solution. The framework relies on an architecture that is modular, flexible, extensible, and scalable in the sense that it can be implemented in both lighter as well as more feature-rich and more complex configurations depending on the underlying application, needed features and available resources, while enabling products and services in various ecosystems with desired trust and security capabilities. The framework is inspired by activities and developments within JPEG standardisation related to security, authenticity and privacy.

Sina Osivand

Metaverse is an immersive 3D virtual environment, a true virtual artificial community in which avatars act as the user's alter ego and interact with each other. If we do not manage the hype for the metaverse, which has recently been receiving a surge in interest, the metaverse will fail to cross the chasm. This article conducts a comprehensive survey on computational arts, in which seven critical topics are relevant to the metaverse, describing novel artworks in blended virtual-physical realities. The topics first cover the building elements for the metaverse, e.g. Virtual scenes and characters, auditory, textual elements. Next, several remarkable types of novel creations in the expanded horizons of metaverse cyberspace have been reflected, such as immersive arts, robotic arts, and other user-centric approaches fuelling contemporary creative outputs.

Sakib Shahriar, Kadhim Hayawi

Digital arts have gained an unprecedented level of popularity with the emergence of non-fungible tokens (NFTs). NFTs are cryptographic assets that are stored on blockchain networks and represent a digital certificate of ownership that cannot be forged. NFTs can be incorporated into a smart contract which allows the owner to benefit from a future sale percentage. While digital art producers can benefit immensely with NFTs, their production is time consuming. Therefore, this paper explores the possibility of using generative adversarial networks (GANs) for automatic generation of digital arts. GANs are deep learning architectures that are widely and effectively used for synthesis of audio, images, and video contents. However, their application to NFT arts have been limited. In this paper, a GAN-based architecture is implemented and evaluated for novel NFT-style digital arts generation. Results from the qualitative case study indicate that the generated artworks are comparable to the real samples in terms of being interesting and inspiring and they were judged to be more innovative than real samples.

SwapnaliTambe, Anil Pawar, Santosh Kumar Yadav

Deepfake is as a matter of fact a medium where one individual is supplanted by another who appears as though him. The profound bogus demonstration has been continuing for quite a long while. Profound phony uses incredible strategies, for example, AI and man-made consciousness to create and control visual and sound substance with high potential for the gadget. Profound misrepresentation relies upon the sort of impartial association called and the programmed encoder. These are essential for an encoder, which lessens a picture to a lower dimensional ideal and an ideal introduction picture. I examined various answers on various advances via web-based media stages like twitter and face book. From these examinations we are roused to extend this objective. In our proposed framework, we centre around identifying profound phony recordings utilizing blockchains, keen agreements, and secure hashing calculations. We utilize a few calculations to relieve the issue, for example, the SHA string

Samuel Rikli, Nico, Bigler Daniel, Moritz Pfenninger, Joerg, Osterrieder

Modeling financial time series is challenging due to their high volatility and unexpected happenings on the market. Most financial models and algorithms trying to fill the lack of historical financial time series struggle to perform and are highly vulnerable to overfitting. As an alternative, we introduce in this paper a deep neural network called the WGAN-GP, a data-driven model that focuses on sample generation. The WGAN-GP consists of a generator and discriminator function which utilize an LSTM architecture. The WGAN-GP is supposed to learn the underlying structure of the input data, which in our case, is the Bitcoin. Bitcoin is unique in its behavior; the prices fluctuate what makes guessing the price trend hardly impossible. Through adversarial training, the WGAN-GP should learn the underlying structure of the bitcoin and generate very similar samples of the bitcoin distribution. The generated synthetic time series are visually indistinguishable from the real data. But the numerical results show that the generated data were close to the real data distribution but distinguishable. The model mainly shows a stable learning behavior. However, the model has space for optimization, which could be achieved by adjusting the hyperparameters.

Zhini Cai

In order to explore the application of deep learning algorithms in arrangement and composition, and the role of blockchain in the protection of digital music copyright, a monophonic melody composition model based on the deep generative adversarial networks (DCGANs) is constructed firstly, and the composition performance of the model is analyzed using hymn as input sample in this study. Later, the multi-instrument co-arrangement (MICA) model based on the multi-task learning is proposed, and the composition performance is analyzed by taking the actual music as an input sample. Finally, the improved practical byzantine fault tolerance (IPBFT) algorithm is proposed, and a digital music copyright protection system is designed based on the blockchain in this study. The results indicate that the accuracies constructed DCGANs model in predicting the Soprano and Alto voice melody are higher than those of the DeepBatch model by 2.29% and 3.32%, respectively. The performance on the harmony score, note accuracy, Levenshtein similarity (LS), notes distribution mean square error, and empty as well as the convergence speed of the constructed MICA model are better than those of other models. The average transaction per second (TPS) value of the proposed IPBFT algorithm in the real digital music copyright protection system is 3469, which is superior to other blockchain technologies. Finally, the digital music copyright protection system is achieved, the error rate of completing the request is 0% in the state of many users operating concurrently, and a high TPS value can be guaranteed. In short, the DCGANs and MICA models pointed out in this study can be used in the composition of monophonic melodies and complex melodies, and the digital music copyright protection system based on the blockchain has excellent performance in practical applications.