Rajat Rajbhandari
Report examining various blockchain application in transportation, with a list of possible benefits.
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Rajat Rajbhandari
Report examining various blockchain application in transportation, with a list of possible benefits.
V. Tweehuysen
No abstract is available for this record.
NilĂŒfer BORAN-GĂNEYSU Test
No abstract is available for this record.
Stephanie Robberson, Mark R. McCoy
As technology improves and economies become more globalized, the concept of currency has evolved. Bitcoin, a cryptographic digital currency, has been embraced as a secure and convenient type of money. Due to its security and privacy for the user, Bitcoin is a good tool for conducting criminal trades. The Financial Crimes Enforcement Network (FinCEN) has regulations in place to make identification information of Bitcoin purchasers accessible to law enforcement, but enforcing these rules with cash-for-Bitcoin traders is difficult. This study surveyed cash-for-Bitcoin vendors in Oklahoma, Texas, Arkansas, Missouri, Kansas, Colorado, and New Mexico to determine personal demographic information, knowledge of and compliance with FinCEN regulations, and opinions regarding government control of currency and willingness to work with law enforcement among vendors.
Ahrash Aleshi
We propose to enhance the security and transparency of aircraft maintenance records in the aviation industry through the use of blockchain technology. A physical aircraft maintenance logbook is susceptible to being lost or destroyed. A nonexistent aircraft maintenance logbook hurts the confidence in integrity and reputation of the aircraft. Furthermore, fraud can occur through forgery of FAA personnel signatures and the installation of non-official aircraft parts. The scope of this work is to develop a secure blockchain that can store aircraft service records and information in a digital distributed ledger. By keeping the maintenance logbook on a digital ledger, records can be stored indefinitely in a trusted environment with the integrity of records guaranteed. Additionally, to achieve being a distributed ledger, a consensus algorithm PoET is used to display the global state accurately to all users. The SAMR blockchain uses the Linux Foundations open sourced software âHyperledgerâ to facilitate an environment that mimics a real-world implementation. The Python Programming Language was used for SAMR's implementation of the blockchain logic through creation of a permission-based blockchain for holding the maintenance records.
Izabella Kaminska, Martin Walker
No abstract is available for this record.
Darcy W E Allen, Chris Berg, Mikayla Novak
This paper incorporates blockchain activities into the broader remit of entangled political economy theory, emphasising economic and other social phenomena as the emergent byproduct of human interactions. Blockchains are a digital technology combining peer-to-peer network computing and cryptography to create an immutable decentralised public ledger. The blockchain contrasts vintage ledger technologies, either paper-based or maintained by in-house databases, largely reliant upon hierarchical, third-party trust mechanisms for their maintenance and security. Recent contributions to the blockchain studies literature suggest that the blockchain itself poses as an institutional technology that could challenge existing forms of coordination and governance organised on the basis of vintage ledgers. This proposition has significant implications for the relevance of existing entangled relationships in the economic, social and political domains. Blockchain enables non-territorial âcrypto-secessionâ, not only reducing the costs associated with maintaining ledgers, but radically revising and deconcentrating data-conditioned networks to fundamentally challenge the economic positions of legacy firms and governments. These insights are further illuminated with reference to finance, property and identity cases. Entangled political economy provides a compelling lens through which we can discern the impact of blockchain technology on some of our most important relationships.
Evgeniy Shishkin
We describe our efforts towards building a tool that automatically verify high-level functional properties of Ethereum smart contracts against its formal specification that can be given using four different methods: an invariant over contract state or three different types of trace properties. A model of runtime system, the source code of smart contract together with its specification is translated into SMT-solver formula and checked for counter example. We tested the method on simplified version of notorious TheDAO smart-contract, called MiniDAO. Our proof-of-concept tool was able to find a functional property violation of MiniDAO in just several seconds. We believe that the proposed method is indeed useful and deserves deeper investigation.
Christian Fries, Peter Kohl-Landgraf
No abstract is available for this record.
Chris Berg, Sinclair Davidson, Jason Potts
No abstract is available for this record.
Darren J. Sandler
Citrus Groves in the Cloud: Is Cryptocurrency Cloud Mining a Security?
Theodoros Dounas, Davide Lombardi
We present a proof of concept implementation of an integration strategy for connecting CAD with Blockchain. We explain the components of most blockchains and the value they bring to the built environment ecosystem, the potential impact a complete integration might have and we demonstrate the first two of four levels of integration we have identified between CAD and blockchain technologies. For the purposes of the paper we use Rhino / Grasshopper and Ethereum as the two components of integration.
Niccolo Caldararo
A means of exchange and preservation of value is likely as old as our species. Global economic trade is often argued to be as old as trade. The question of the nature of the exchange, of who creates the value and how it is regulated is the issue. While tin from England may have reached Sumeria 4 000 years ago, or Phoenicians' ships entered the Africa area of Cape Palmas at about the same time, the problem of exchange is a central issue. Ideas of money are as diverse as the cultures that produce them, yet today global trade is experiencing modifications of the satisfaction of exchange with new platforms of electronic money. Blockchain technology is touted as foolproof, such claims have appeared in the past with various financial innovations. Such abstractions of value may not be new, but as a product of technology and complexity they create psychological novelty and a form of mesmerizing fetishism (Douglas, M. and Isherwood, B., ed.: The World of Goods: Towards an Anthropology of Consumption. Routledge, London, 1978). Manias of value are also not new, from stock (South Seas Corporation) to tulips (MacKay, C.: Extraordinary Popular Delusions and the Madness of Crowds. Crown Press, London, 1841). The form of the mania is defined and expressed culturally but is often associated with technological change and distance of exchange of partners and clients (Baric, L.: Some aspects of credit, saving and investment in a 'non-monetary' economy (Rossel Island). In: Firth, R. and Yamey, B.S., eds.: Capital, Saving and Credit in Peasant Societies. Aldine Publishing, Chicago, pp.35-52, 1964.). Inequality is also a feature, embedded in economic and technological disruption of trade and exchange. The role of redistribution and taxation are essential in maintaining social credit and equality. We can relate such behaviour to other systems of animal societies.
JunâSik Lee, Keon-Woo Kim, Do-Hyung Park
No abstract is available for this record.
Matthew Bellinger
Thesis (Ph.D.)--University of Washington, 2018
Jackie Johnson, Mark Holub
No abstract is available for this record.
Oluwaseun Viyon Ojo, Ugo Nwaokike
No abstract is available for this record.
Mikayla Novak
This chapter discusses the implications of blockchain technology for income inequality. Although inequality is identified as a complex and emergent (rather than simple and static) phenomenon, we nonetheless are able to identify channels through which blockchains are likely to affect the distribution of income. Any erosion of economic positions held by third-party intermediaries, charged with maintaining the integrity of conventional ledgers, is likely to reduce inequality. On the other hand job-creation opportunities which emphasize the need for specialist technical skills in the blockchain-enabled economy may increase inequality. The net effect of these two forces alone is ambiguous. There is the alternative possibility that the inequality-reduction potential of blockchain activity could be mitigated by the appropriation of distributed ledger technology by incumbents. To help prevent the possibility of income inequality being reproduced through the blockchain, an open and permissionless environment for blockchain participation should be maintained to the greatest extent possible.
Uddin Md Ashraf, Andrew Stranieri, Iqbal Gondal, Balasubramanian Venki
Continuous monitoring of patient's physiological signs has the potential to augment traditional medical practice, particularly in developing countries that have a shortage of healthcare professionals. However, continuously streamed data presents additional security, storage and retrieval challenges and further inhibits initiatives to integrate data to form electronic health record systems. Blockchain technologies enable data to be stored securely and inexpensively without recourse to a trusted authority. Blockchain technologies also promise to provide architectures for electronic health records that do not require huge government expenditure that challenge developing nations. However, Blockchain deployment, particularly with streamed data challenges existing Blockchain algorithms that take too long to place data in a block, and have no mechanism to determine whether every data point in every stream should be stored in such a secure way. This article presents an architecture that involves a Patient Agent, coordinating the insertion of continuous data streams into Blockchains to form an electronic health record.
Kyo Maclear
âCare is the antidote to violence.â âSaidiya Hartman at In the Wake: A Salon in Honor of Christina Sharpe (2017) âThe task is clear: to create a culture of caretaking in which no one and nowhere is thrown away.â âNaomi Klein (2015) âYâall better learn how to survive now.â âMiss Bathsheeba, Beasts of the Southern Wild (2012) Louisiana. A dark boiling sky. Beasts of the Southern Wild opens in an anarchic place of car scrap and driftwood, feral animals and tumbledown shacks. We are at the end of the world in a swampy bayou way out in the Gulf of Mexico. A young black girl lays her hand against the body of a pig and tilts her head to listen for the heartbeat. A few moments later, she holds a baby bird to her ear, listens deep, eager to get to the heart of the matter. Animals, for this girl, are close as kin. Their heartbeats (which we also hear, thump-thump-thumping) bespeak the ebb and flow of life. As the girlâs opening voiceover tells us: âAll the time, everywhere, everything's hearts are beating and squirting, and talking to each other the ways I can't understand. Most of the time they probably be saying: I'm hungry, or I gotta poop. But sometimes they be talkin' in codes.â The heroine and narrator of Beasts is six-year-old âHushpuppy,â a preternaturally wise, motherless kid played with mesmerizing force by QuvenzhanĂ© Wallis. When we meet her she is stomping around her cardboard-and-tin home dressed only in a dirty undershirt, panties, and rubber boots. Semi-orphaned, Hushpuppy lives in a Louisiana tidal basinâdubbed the Bathtubâwith a rowdy, multiracial group of misfits and a sickly, floundering, alcoholic father named Wink (Dwight Henry) who swings between harshly neglecting and aggressively mentoring his daughter. Vulnerable to floods and storm-surge waters, the Bathtub is separated from the mainland or âdry sideâ by a levee. On the dry side sits a blurry factory, industry, consumerism, and a filthy haze. It may be ârichâ and âsafeâ but it is spiritually desiccated. Life in the Bathtub is bare, bufferless, and broken but it is also full. Full of booze, junk, bacchanal, decay, fireworks, grief, experience, knowledge, extremes of catastrophe, and drunken rapture. People and animals roam freely, untethered to wealth or materialism. Life may tilt toward tragedy in the Bathtub but it is juiced with uncommon liberty and moments of pure communal joy. If this is the frontline of climate change, then carpe diem. A festive fireworks celebration during the opening sequence captures something of the filmâs âprecarity be damnedâ ethos. Faced with brewing storms and floods, The Bathtub locals are determined to hang on and protect their autonomy and collective way of life. It is better to be wet and alive in their view than to live in a âdry worldââbetter to experience self-sufficient squalor than soulless state-dependency; better to stay in place than endure the violence of resettlement. Beasts of the Southern Wild (2012) is one of the most influential and most discussed âclimate changeâ films in recent American history. On the fifth anniversary of its release, I excavate scholarly and popular debates about the film to probe the filmâs virtues and blindspots. Is Beasts of the Southern Wild a means to symbolize âclimate resistanceâ (Mirzoeff 2012) or a naturalizing of âblack sufferingâ (Brown 2013a)? What might we learn from the disunity of response to this film?1 Five years after its release, Beasts continues to offer its viewers various ways of thinking through the present-day world in the context of climate change, neoliberalism, and racialized violence. There are many themes drifting through Beasts of The Southern Wild, several of which I will parse later in this essay, but the central one is a celebration of resilience and independence in the face of durational loss or âslow violence.â The film offers a booming tribute to the tenacity of the Bathtubâs multiracial outliers, who go to extreme lengths to defend their homes and their magical if improbable community in the wake of climactic disaster. (The improbability of this community will be a recurring motif in criticism of the film, as I will soon discuss.) In this all-but-drowned place, there is no character more emblematic of this gritty survivalist spirit than Hushpuppy. Ever capable, Hushpuppy cooks (catfood) and cares for herself and a posse of domestic animals. Ever resourceful, she lives bare and in the near open without even proper attire to protect her from the elements. Her very features, from her wild hair to her fierce scowl to her honed stare, appear sculpted by years of sparring and inclement weather. Her big six-year-old eyes seem to have already absorbed it allâscenes of slow catastrophe and unexpected tenderness. The filmâs power derives in large part from its faithfulness to Hushpuppyâs feisty and elegiac perspective. She is the only focal point of a disintegrating world. The camera floats and tilts in her direction, capturing the ruined textures and tones of her tenuous surroundings. She is the storyâs motor and momentum. She is the communityâs storyteller, recording their history for the benefit of âthe scientists of the future.â Her freeform delivery, fanciful, laced with wonder and ecological anxiety, narrates what it means to love a wounded place with all your wounded heart; and, by extension, what it means to be fervently attached to all fragile places (be it a post-Katrina bayou, a grief-stricken community or the planet itself.) Through her empathetic eyes we are connected to the weave of the universe, from visions of particles flying through the air, to melting ice caps to Arctic avalanches to prehistoric creatures. The viewerâs proximity to Hushpuppyâs inner life is deeply stirring but also, as some critics and scholars have argued, gravely unsettling. The film taps into a series of concerns about what it takes to âsurviveâ in a time of growing instability and climate change. What does care look like in an unequal and warming Hushpuppy is to but there is no her Her is with and of her who she a She and with her of care is to his it a his for the and for a time will no be there to protect As âThe film a all how does one a for a by Beasts the and for climate means from they are to no we are in a one in the Bathtub at all with or Hushpuppy to the bayou for and a and to for But in the of care and Hushpuppy to a and out for her go the of a young for who there is time for Her is She for her but also for the and She all of this her There is a she her father in the The of his way to the of and then the of The floods have As Wink we of melting ice caps and Hushpuppy out in her I In with her we Hushpuppy she to out of is or a of as of magical many she takes the her very Through her eyes and we the of a of in the but to the warming as they from the ice of are toward the to the in the film, Hushpuppyâs a with the melting ice caps and and the the of the is to In Hushpuppyâs alive as a of her the of the and her If one even a the will be In the face of like an âThe on In other if her and the of the world are Hushpuppy she her and the by the broken of it it in the we the have her to her to the of creatures. She is in of on the task of the world around her her to the but this does she by of or or the of What she does in part by a camera on her close and the with It is a for her a It is a for from the to to what and of the filmâs or the from and a by about a and his father in her the to a Louisiana bayou and the of the film a six-year-old this a recurring in criticism of the film to what the of a girl does to the and of climate more does her and view of and âthe of the of a girl to the of the is in the face of climate is in the as âThe of QuvenzhanĂ© as the filmâs the between the and the the and the Beasts to It is a to or be by magical thinking or the for in the face of climate changeâ What Beasts and in part for its I will is this an of a for for the film is a and of climate for it is a of and the filmâs magical for an and of the of climate and for are to the of the Beasts is many It is an ecological and a It is a of a multiracial community and It is a of and of what it means to to with in the face of and But if the Bathtub is a for a world in or a of the all of the film is also a It offers a It is the of to the of all and all It is the of in and from It is the of fierce autonomy as the and of In the world is as a but also as a In the we a of Hushpuppy and the Bathtubâs the as at their in the wake of to for As we are to is What will she by from to for will we all live in a world with and What of the is on It is and to climate and violence to the We are after for of But it is the of by a It is a out of It is a of but inner into a and the of anarchic in for the and In the I into the various of care and in the I of resilience to be to of violence and of and tenacity without a of care and and What is the to The the film, I are deeply connected to care which are in this to a of and What Beasts captures are the of the the and the the It is only a or Hushpuppyâs resilience be as a than a the of I the film a of offer or this I to Christina of most in her In the care to the of the but also the of the to a by Hartman to of as an antidote to Sharpe to what care might look like in the face of a and of on a history of and and and Sharpe we against and and of from the of something than more than the for care and the of lives be As âThe of a ecological is but it by into the of a and its to the and to the In later I the and But I the filmâs to get to the heart of its and to climate and Five years after its release, Beasts continues to offer its viewers ways of thinking through the present-day world in the context of climate change, neoliberalism, and racialized violence. It is the I the A Hushpuppy is a for her a of A and She is to her It is to be with in the The film to a of some It is a of big on a It is Beasts of the Southern Wild viewers during its in the of The film on the film the at and the for at on its way to for and and critics the filmâs of and of The Beasts and of The it of improbable and Hushpuppy in a of American and The of and attached to the of the film the film on with for a with a of who a in their and by a collective at the Beasts named a 2012) and a of 2012) anarchic of the to the spirit of the If the âdry collective in for the the filmâs as an to American the film with a in and from and to the to in an with the filmâs and the American the as and and the to of the filmâs of and in the face of all a the of no what they look It the power to of all have to be on for the and the will for all of to be The of the only other critics and the filmâs most to the to offer a in the film to a for with as by the the and of for The the film as and even response to one of the most and in American only to of the film about might Hushpuppyâs her to with and what be as Beasts as a climate film and a to more The film is of moments and and and to and to the very of âthe and the of and it in the filmâs of with to the Bathtub as close to the it might as be part of a time many of have to the the slow the the of life into Beasts is in its to and Hushpuppyâs is in and for an time many Hushpuppy is also a who the world as and alive and herself as in a and beating with other creatures. 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If this is the a with and is on the of to the of lives and is there a way to ways of and of are more and Is it to to slow violence and to is from to only in moments of and of this essay, a of violence are as as an culture life and in âthe the ways we are through and by to only to and to each other by the life through the of a of one against and and the of on the of climate also how the live in and as wake does one the does wake the way we to the I to be central to climate If we are to the slow violence of climate and are or but a and the very the of life and in a warming world as life to and then the very of climate care to be As Sharpe we and care in the of the in a than of the violence of the the all the moments of care and in the one with most during the As the of their through Wink Hushpuppyâs and your to and the look of on Hushpuppyâs Wink to the with a The care of a father who it his to his for an is better it might be but it and of a of is all Hushpuppy The her and she The of are in this I the of the climate at the of the of the I the of the of resilience and as for of by the of climate change. I the of to the of the world to with without after are be the of this is what of to toward the to and the of have to about and and we more of The for her spirit a and the we Hushpuppyâs experience of the storms on What does it for a community to go it a is In this time the ecological is we to care or care a for The is to better what care how it and how it and and how it in the but also in the The of care in a world are how be as a does places and in and Is it to and or the as care a of from are into to be more care and more We the of in the be There are to care the film But as the of care be even if it the of a and the than the in a world as a In the face of of care and it is the who to loss of and loss of life but the in the the storms of who no or of The filmâs anarchic all care as and is without is an It may the of in the of more it may be an of But is the Beasts to does autonomy and as and The to care is care but better In the context of and its the most is the of the who even years later, by of for are with and The who the of face the A on on and after years of it the to in the lives of many and is something be in a of or even years in the most may their lives to the by this in and We face a is about and of care be in of and to be or Is it to an of care does as but as a by we of care on but on with the of and the in As What is of care with a of the the in to life. of care to without into the of with to black only violence against lives and it to be as scholars as the of be an to go the or be a of the through which the and are in this does in the of or It from life as already of and the of is a is a care in the wake and then is a to the the and of the even and the and of which community is in a and is to the which care is the end of Beasts of the Southern Wild we in the body is in a Hushpuppy it to his As Hushpuppy tells us: it all I around in She is Her world There are no to the The is viewers will thinking and the broken will one to she will the care she to more than to but to
Jason Grant Allen
No abstract is available for this record.
Roman Graf, Ross King
No abstract is available for this record.
Young Soo Kim, Young Soo Park, Byoung Yup Lee
No abstract is available for this record.
Sarah Durrant
Cryptocurrencies are private, decentralized currencies that operate via the Internet and have attracted criminals because of the convenience and virtual anonymity they offer. While there are many descriptive accounts of cryptocurrencies and their use both in legal and illegal operations, to date there is no empirical research to understand the use of cryptocurrencies in transnational crime operations, specifically why transnational criminals may find them attractive to either conduct business or to launder their illicit proceeds. Using the environmental criminological framework, this study analyzed 100 cases of cryptocurrency use in transnational crime activities identified through various secondary sources, including online newspaper articles and publicly available court case information. Essentially this study used both quantitative and qualitative analysis to examine the ways in which cryptocurrencies facilitate transnational crimes. The findings indicate that criminals have been using cryptocurrencies to conceal the enormous amounts of money they are receiving for their crimes, specifically money laundering, drug trafficking (illicit drug sales), and terrorism financing. It was found that offenders can conduct business, launder money, and make a profit by using cryptocurrencies to facilitate their crimes, creating for crime opportunities permitted by cryptocurrencies. These opportunities include the ease of floating from one crime to another and using cryptocurrencies to cover offendersâ tracks, where cryptocurrencies can transact, launder, and conceal all in one. It was found that offenders gravitate towards using bitcoin to facilitate their operations, most likely due to its popularity and reliability. When looking at the crime of money laundering and illicit drug sales specifically, it was found that offenders can generate higher operation amounts, spanning into billions of dollars, all while evading detection. With the assumption that transnational criminals are rational beings, money laundering using cryptocurrencies has enormous benefits with these high operation amounts. This coupled with the low chances of being caught by law enforcement, makes money laundering a feasible crime where the benefits far outweigh the risks. This exploratory research is innovative and imperative to expanding academic knowledge on the evolution of crime with the use of cryptocurrencies and assisting in reducing the opportunities cryptocurrencies allow in transnational crime operations.