To the Anxious Humanities Scholar
Abstract
You are a humanities scholar and you are worried. You fear that the humanities are increasingly seen as irrelevant, unnecessary and quaint. You may even have begun to internalise this view. In the face of intractable contemporary problems – global pandemics, economic crisis and a climate emergency – how can your work seem like anything other than an indulgence? You hear the constant, ambient noise of public and political hostility aimed at what you do. In January 2020 the prime minister’s chief adviser, Dominic Cummings (a humanities graduate, like the prime minister), wrote a long blog post calling for ‘weirdos and misfits with odd skills’ to apply for new jobs at No. 10 Downing Street. He made it clear that he was looking for data scientists, software developers, economists and policy experts, not ‘Oxbridge English graduates who chat about Lacan at dinner parties with TV producers’.11 Dominic Cummings, ‘Two Hands are a Lot’, at https://dominiccummings.com/2020/01/02/two-hands-are-a-lot-were-hiring-data-scientists-project-managers-policy-experts-assorted-weirdos/ (2 January 2020, accessed 1 May 2020). Later that month the University of Sunderland announced that it would be shutting down its history, languages and politics courses, and replacing them with more ‘career-focused and professions-facing’ alternatives. In February the University of Portsmouth revealed plans to make more than half its English department redundant, citing the declining number of applications in this subject. In June 2020 the Australian education minister, Dan Tehan, announced that his government wanted to double student fees for courses in the arts and humanities while cutting them for nursing, agriculture, maths, science and information technology. The aim was ‘to power our post-Covid economic recovery’ by sending out a ‘price signal’ to encourage people to study in areas of growth.22 ‘Job-Ready Graduates to Power Economic Recovery’, at https://ministers.dese.gov.au/tehan/job-ready-graduates-power-economic-recovery (accessed 25 June 2020). The UK government made similar noises about pricing mechanisms and ending funding for humanities courses considered poor value for money. In August 2020 the A-level marking controversy, and the subsequent scramble for university places, inspired much media comment about the glut of worthless degrees in second-rate institutions, again focusing on humanities subjects. ‘The universities are churning out far more graduates than our society requires,’ wrote one columnist, ‘particularly in subjects like the creative arts and communications that have little relevance to the workplace.’33 Leo McKinstry, ‘We Must End This Absurd Obsession to Gain a Degree’, Daily Express, 20 August 2020. See also Emma Duncan, ‘Many Degrees are a Waste of Time and Money’, The Times, 15 August 2020. The current right-wing critique of universities as indoctrination camps where students are ‘factory-farmed to have the same boring and malevolent views’ has focused its ire on humanities subjects.44 Douglas Murray, ‘Our Universities Have Become Indoctrination Camps’, Sunday Telegraph, 16 August 2020. No wonder that, after reading these signs and portents, you feel beleaguered and dispirited. You crave some encouragement and cheer, and a reminder of why you first fell in love with the texts you spend your life examining. You need a story that will convince others, and yourself, of the worth of your work. You may take heart from the knowledge that, while this particular crisis is new, the issues are old. ‘The humanities are at the cross-roads, at a crisis in their existence,’ the historian J.H. Plumb wrote in the introduction to his Pelican edited collection, Crisis in the Humanities, in 1964. ‘They must either change the image that they present, adapt themselves to the needs of a society dominated by science and technology, or retreat into social triviality.’55 J.H. Plumb, ‘Introduction’, in Plumb (ed.), Crisis in the Humanities (Harmondsworth: Penguin, 1964), 8. This permanent crisis of identity and legitimacy in the humanities arises partly out of definitional fuzziness. The humanities have often been defined against something else – and against which they can be found wanting. In the Renaissance the studia humanitatis were the secular subjects, such as rhetoric, philosophy and ancient Greek and Latin, and thus the opposite of the highest form of study, divinity. Then, from the mid-nineteenth century onwards, the humanities began to be defined in opposition to the physical sciences. At first they were the senior partner. Charles Darwin’s frequent biblical and literary allusions, and the elegance of his own writing, show how influenced he was by the humanities. But in the century after Darwin’s death, the sciences grew in confidence and prestige. The main character in Saul Bellow’s 1987 novel More Die of Heartbreak, a Russian literature specialist, feels as if he has been confined to ‘the nursery games of humankind, which had to be left behind when the age of science began’. The humanities, he thinks gloomily, ‘would be called upon to choose a wallpaper for the crypt, as the end drew near’.66 Saul Bellow, More Die of Heartbreak (London: Penguin, [1987] 2004), 239. More recently, the humanities have come to seem like the poor relation of STEM. STEM is an acronym now routinely repurposed as both noun and adjective (STEM skills, STEM subjects, STEM jobs). We forget how new the acronym is and sometimes even what it stands for (science, technology, engineering and mathematics). The OED gives its earliest mention in print as 1968 but notes that it is ‘rare before 21st cent.’ In fact it began to be used widely in the US in the late 1990s, in debates about skills shortages in high-tech jobs and access to work visas for immigrants skilled in these fields. In Britain it has become an article of faith among policy makers that investing in STEM is vital to economic growth, especially in areas like life sciences, pharmaceuticals, computer coding and electronic engineering. The embattled scholar of the humanities may be tempted to lash out defensively at this more glamorous sibling, STEM, who gets all the attention and In a and creative that ‘the humanities are The are The of is to the even if the the aim of science is to some in ‘The January from such We need a of the humanities that this of the sciences as and must with a that the humanities and sciences are of and of what the humanities is to how are not by but by as to make other the of STEM as an – of which is but all of which are a story about the The first is that are with other in a and are The is that the sciences and humanities are in a of if STEM is other subjects must be The is that a university is not of ‘the but a of students for that has value if it can be into something now on university courses value for with the main must be with on this of the university by the of a ‘the The was a of a of from the was that its main was for or The began as a it to to the in the of the century universities to be called University were increasingly to the of and began to be of in the the was to be one where behind ‘The The of a of and its for the of In the the as a as universities and more with the the when a of the a universities or university had a but in In Britain had the end of the with the of the the and the the number had to of The in the University In a that ‘the of universities to be and to their and more for were now for from the The for as a for before English and creative at the University of in that he in The is an more than a out that in his on he had had with on people from and people in some he ‘the university is a far more than The and on and The that universities need to students for a of which they are not is an of what the humanities the to make The humanities study the of and But their is this to make out of our study, in its – that with which all for has long considered the of the social sciences – that the economists in about how the In has been 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