Thematics in Web3 Artworks

Abstract

This context informs the conversations with artists and creative practitioners in this book.Often, their work with and around Decentralised Autonomous Organisations (DAOs) emerges from these very concerns.Does that mean that DAOs are capable of solving the sociopolitical issues of precarity, cuts, and censorship?No. 'Free blockchain money' does not exist.DAOs do not 'magically' make more funding appear, least of all structurally so.And DAOs do not allow artists and cultural practitioners to leave behind their national contexts of austerity and repression and exchange them for some virtual utopia.However, this does not mean that engaging with DAOs is pointless in the face of these circumstances and limitations.In this publication, I ask practitioners to share their experiences, focussing specifically on the definition of new forms of agency in cultural decision-making, explorations of shared ownership in arts and culture amid widespread logics of private property and extractivism, and the making of prefigurative claims on futures envisioned from the bottom up.None of these practices will be able to replace the structures of state funding or cancel oppressive concentrations of power any time soon, but they do open up space to manoeuvre and create tactical interventions, to find each other and build solidarity, and to regain a sense of futurity together.In other words, to reimagine, reclaim, and restructure shared socio-technical futures.The six people that I interviewed represent key voices in the countercultural and artistic DAO space.Penny Rafferty is a cofounder of Black Swan -a DAO that pursued horizontal and decentralised approaches to art-making -and she pushes DAO discourse into new directions with critical and imaginative work.Erik Bordeleau is a co-founder of The Sphere -a DAO that explores new ecologies of funding to develop a regenerative commons for the performing arts -and contributes boundarypushing philosophical and media theoretical perspectives to DAO thought.Ruth Catlow developed CultureStake -a voting system for decentralised cultural decision-making that uses quadratic voting on the blockchain -and has been a central Repression of Palestinian Culture and soidarity: Independence as Resistance,' Reset! 8